{"title":"Social Political","description":null,"products":[{"product_id":"how-we-can-win-race-history-and-changing-the-money-game-thats-rigged","title":"How We Can Win: Race, History and Changing the Money Game That's Rigged","description":"\u003cp\u003eShortlisted for the SABEW Best in Business Book Awards\u003cbr\u003eWinner of the 2022 AAMBC Literary Award for Non-Fiction\/Self Help Book of the Year\u003c\/p\u003e\u003cp\u003eA breakdown of the economic and social injustices facing Black people and other marginalized citizens inspired by political activist Kimberly Jones' viral video, “How Can We Win.”\u003c\/p\u003e\u003cp\u003e“So if I played four hundred rounds of Monopoly with you and I had to play and give you every dime that I made, and then for fifty years, every time that I played, if you didn't like what I did, you got to burn it like they did in Tulsa and like they did in Rosewood, how can you win? How can you win?\"\u003c\/p\u003e\u003cp\u003eWhen Kimberly Jones declared these words amid the protests spurred by the murder of George Floyd, she gave a history lesson that in just over six minutes captured the economic struggles of Black people in America. Within days the video had been viewed by millions of people around the world, riveted by Jones’s damning―and stunningly succinct―analysis of the enduring disparities Black Americans face.\u003c\/p\u003e\u003cp\u003eIn How We Can Win, Jones delves into the impacts of systemic racism and reveals how her formative years in Chicago gave birth to a lifelong devotion to justice. Here, in a vital expansion of her declaration, she calls for Reconstruction 2.0, a multilayered plan to reclaim economic and social restitutions―those restitutions promised with emancipation but blocked, again and again, for more than 150 years. And, most of all, Jones delivers strategies for how we can effect change as citizens and allies while nurturing ourselves―the most valuable asset we have―in the fight against a system that is still rigged.\u003c\/p\u003e","brand":"Dawnesha Williams","offers":[{"title":"Default Title","offer_id":44369999528109,"sku":"9781250805126","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0280\/9243\/2481\/files\/9781250805126.jpg?v=1744750276"},{"product_id":"the-white-wall-how-big-finance-bankrupts-black-america","title":"The White Wall: How Big Finance Bankrupts Black America","description":"\u003cp\u003eA deeply reported, “important, and infuriating” (The Guardian) look at the systemic racism inside the American financial services industry, from acclaimed New York Times finance reporter Emily Flitter.\u003c\/p\u003e\u003cp\u003eIn 2018, Emily Flitter received a tip that Morgan Stanley had fired a Black employee without cause. 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She also gives a voice to victims, from single mothers to professional athletes to employees themselves: people who were scammed, lied to, and defrauded by the systems they trusted with their money, and silenced when they attempted to speak out and seek reform.\u003c\/p\u003e\u003cp\u003eFlitter connects the dots between data, history, legal scholarship, and powerful personal stories to provide a “must-read wake-up call” (Valerie Red-Horse Mohl, president of KNOWN Holdings)about what it means to bank while Black. 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Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it helped inspire the creation of the Marshall Project and the new $100 million Art for Justice Fund; it has been the winner of numerous prizes, including the prestigious NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list.\u003c\/p\u003e\u003cp\u003eMost important of all, it has spawned a whole generation of criminal justice reform activists and organizations motivated by Michelle Alexander’s unforgettable argument that “we have not ended racial caste in America; we have merely redesigned it.” As the Birmingham Newsproclaimed, it is “undoubtedly the most important book published in this century about the U.S.”\u003c\/p\u003e\u003cp\u003eNow, ten years after it was first published, The New Press is proud to issue a tenth-anniversary edition with a new preface by Michelle Alexander that discusses the impact the book has had and the state of the criminal justice reform movement today.\u003c\/p\u003e","brand":"Grassrootz Bookstore","offers":[{"title":"Default Title","offer_id":45007712485549,"sku":"9781620971932","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0280\/9243\/2481\/files\/9781620971932.jpg?v=1759880615"},{"product_id":"the-negro","title":"The Negro","description":"\u003cp\u003eThis is the classic history of the African peoples in Africa and the New World, a repudiation of the absurd belief, widely held in the post-Civil War period, that Africans had no civilization but the one foisted upon them by their slave trading captors. Writing for a popular audience in 1915, DuBois, one of America's greatest writers, lays out in easy-to-read, nonacademic prose the striking and illustrious story of the complex history and varied cultures of Africa, from the art and industry of the peoples of the continent to the dramatic impact the slave trade had both in Africa and on her descendents in the Western Hemisphere. 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He has written the rare kind of book that can be read in one sitting but will keep you coming back to help regain your bearings.”—Masha Gessen\u003c\/p\u003e\u003cp\u003eThe Founding Fathers tried to protect us from the threat they knew, the tyranny that overcame ancient democracy. Today, our political order faces new threats, not unlike the totalitarianism of the twentieth century. We are no wiser than the Europeans who saw democracy yield to fascism, Nazism, or communism. 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After it was published, The Burning, like its subject matter, remained unknown to most in America. That has changed dramatically.\u003c\/p\u003e\u003cp\u003e“I began to suspect that a crucial piece remained missing from America’s long attempts at racial reconciliation,” Madigan wrote in 2001 in the author’s note to The Burning. “Too many in this country remained as ignorant as I was. Too many were just as oblivious to some of the darkest moments in our history, a legacy of which Tulsa is both a tragic example and a shameful metaphor. How can we heal when we don’t know what we’re healing from?”\u003c\/p\u003e\u003cp\u003eNow, 100 years after the massacre, Madigan brings new resonance to these questions in the reissue of this definitive work of American history. Featuring a brand new afterword, The Burning skillfully places the Tulsa Massacre in a broader historical context. Rather than an exception, the massacre was completely consistent with that time in the United States, an era of Jim Crow, widespread lynching, and racism endorsed and promulgated at the highest levels of society. Such were the foundations of the systemic racism at the root of our problems today.\u003c\/p\u003e\u003cp\u003eOn the morning of June 1, 1921, a white mob numbering in the thousands marched across the railroad tracks dividing Black from white in Tulsa, Oklahoma, and obliterated a Black community then celebrated as one of America's most prosperous. 34 square blocks of Tulsa's Greenwood community, known then as the Negro Wall Street of America, were reduced to smoldering rubble.\u003c\/p\u003e\u003cp\u003eAnd now, 100 years later, the death toll of what is known as the Tulsa Race Massacre is more difficult to pinpoint. Conservative estimates put the number of dead at about 100 (75% of the victims are believed to have been Black), but the actual number of casualties could be triple that. 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Twitty, culinary and cultural historian, and author of The Cooking Gene and Koshersoul\u003c\/p\u003e\u003cp\u003e\"In literature, there are some books that transcend mere pages and ink, becoming essential pieces of cultural expression. One such book poised to make its mark is The Black Joy Project…. This ambitious work breaks new ground.\" – Essence\u003c\/p\u003e\u003cp\u003eBlack Joy is everywhere. From the bustling streets of Lagos to hip-hop blasting through apartment windows in the Bronx. From the wide-open coastal desert of Namibia to the lush slopes of Jamaica’s Blue Mountains. From the thriving tradition of Candomblé in Bahia to the innovative and trendsetting styles of Soweto, and beyond, Black Joy is present in every place that Black people exist. Now—at last—is a one-of-a-kind celebration of this truth and a life-giving testament to one of the most essential forces that fuels Black life: The Black Joy Project.\u003c\/p\u003e\u003cp\u003eInternational in the scale, fist-raising in the prose, and chockfull of gorgeous works by dozens of acclaimed artists, The Black Joy Project does what no other book has ever done. In words and art, it puts joy on the same track as protest and resistance … because that is how life is actually lived. Uprisings in the street, with music as accompaniment. Heartbreaking funerals followed by second line parades. Microaggressions in the office, then coming home to a warm hug and a garden of lilacs. The list goes on.\u003c\/p\u003e\u003cp\u003eBlack Joy is always held in tension with broader systemic wounds. It is a powerful, historically important salve that allows us to keep going and reimagine new ways of being. 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Christo, one of the last white men drafted to police that boundary, would come to realize—one night on the same mine dump—that everything he had been taught to believe was collapsing to make way for something unprecedented. For Malaika and her peers would be born to a historic destiny: to grow up and live in a Black-led society.\u003c\/p\u003e\u003cp\u003eAll three—Dipuo, Christo, Malaika—and so many other South Africans would make new lives while facing huge questions: How can we let go of our pasts? How can we, as individuals, pay historic debts? And what will people who care passionately about being good do when the meaning of right changes overnight?\u003c\/p\u003e\u003cp\u003eThe Inheritors tells a story about the unexpected fates that lie ahead for other countries now facing their own reckonings over history, race, and power. 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Through essays that delve into history and practice, and case studies that demonstrate practical strategies, Design Against Racism explores how designers of all disciplines can address, through their work, the legacies of racism and oppression.\u003c\/p\u003e\u003cp\u003eDesign profoundly influences culture. The heart of this book is its powerful blend of essays on design history, illustrated case studies, and discussions of practical methods to approach design work, adapted from the restorative justice movement. 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To answer these questions, we must confront one of this nation’s first sins: stealing, hoarding, and commodifying the land.\u003c\/p\u003e\u003cp\u003eResearch suggests that between 1910 and 1997, Black Americans lost about 90% of their farmland. Land theft widened the racial wealth gap, privatized natural resources, and created a permanent barrier to access that should be a birthright for Black and Indigenous communities. Rooted traces the experiences of Brea Baker’s family history of devastating land loss in Kentucky and North Carolina, identifying such violence as the root of persistent inequality in this country. 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